EXCLUSIVE FAX FULL Collection FAX001-FAX538 Ghost AV director Henry Tsukamoto’s Work!

“Showa” is the era name used by the 124th Emperor Hirohito of Japan. It is the 246th era name in Japan. It was used from December 25, 1926 to January 7, 1989. It is the time used in various era names in Japan. The longest, a total of 64 years.
The most instinctive retro erotic AV—Henry Tsukamoto FA series
Henry Tsukamoto, a name that contains the unique mark of AV in the Showa era, uses the extraordinary in the ordinary to capture the true meaning of life with his lens. His works do not deliberately pursue dramatic conflicts, but are like a national chronicle, true and profound. Each frame carries the memory of the times. It is still treasured in the hearts of movie fans and has become an eternal symbol of nostalgia in his heart.
Although he lived in a feudal and conservative era, Henry Tsukamoto used his unique perspective to reveal the reality and chaos behind the seemingly peaceful scenes. FAプロ’s professionalism is impressive. The actors’ acting skills are superb. Their confusion and helplessness in front of the camera are like instinctive performances, which are more touching than real life and impress the audience.
Henry Tsukamoto, the AV artist instructor, gives every work a soul. His AV videos are not won by handsome faces, but by the superb acting skills of the actors, rich and life-like plots, and the delicate depiction of the emotions between the characters. Their eyes meet, and emotions well up. What flows in the picture is not only sex, but also the reality and flesh and blood of life. Every scene makes people feel the warmth of humanity and the breath of life.
Henry Tsukamoto’s AV works are like a silent poem, telling extraordinary stories through ordinary lens language, allowing the audience to deeply feel the complex interweaving of the times and human nature while appreciating them. His name has become an indispensable part of Japanese film history and deserves our careful taste and respect.
Every frame of his works is the Showa world that he longs for | FAプロFAプロFa is a rare work in the 1980s and 1990s. See how the old man used the lens language of thirty years ago to amaze everyone. Every time I see this kind of work, I feel like It’s like opening a blind box, because you never know what magical scene will happen next second. From the early days of scarce video works to today’s electronic digital age, we take a peek at the old man’s half-life, talent, ability and fortune, and put all his efforts into cultivating the world of Showa movies that he desired. Now Tsukamoto has become a high mountain.
Director Tsukamoto’s serial number prefix and some brief introduction FAプロ are all ordinary and trivial matters. They rarely deliberately add drama for the beauty of film and television. Being close to life and reflecting the nation of the times are Henry Tsukamoto’s characteristics. The Showa era has become Tsukamoto’s heart. The nostalgia that can never be let go. It is clearly a feudal and conservative era, but the promiscuity behind the scenes is so unbearable. FAプロ (professional) is indeed professional, and the actors are second to none. In front of the camera, no matter how many eyes there are, the confused and helpless look, That instinctive expressiveness is more realistic than reality and has impressed countless viewers.
Henry Tsukamoto gave the film the soul. It’s not an exaggeration to call him an artist. None of the actors in Tsukamoto’s films are particularly beautiful, but the acting skills of the teachers are indeed superb. The plot is rich and close to life, and the joy, anger, sorrow and joy between the characters , love, hate, and resentment, are splashed in the picture through the eyes of the actors. More often, what Henry Tsukamoto shows is not sex, but life of flesh and blood.
The twisting dance in Henry Tsukamoto’s works has become a habit. Henry Tsukamoto’s twisting dance makes people feel itchy. A simple and strange rhythm, seen somewhere in his works, has become a habit. . The melody that melts the soul fills the ears and flows to the brain.
This set of “Henry’s Dance” is an element that Director Henry has been adhering to since the 1980s. Compared to AV works that involve stripping off your clothes as soon as you meet, director Henry pays more attention to completeness. He is good at shooting Showa style AV, and everything from the plot, casting to the moral entanglement of the characters in the play is delicate and meticulous. vividly depicted.
Director Henry loves to use family ethics as a theme. Perhaps “Henry’s Dance” is the attitude that Director Henry wants to convey: AV scenes are also stages, and AV actors and actresses are also actors. They have the responsibility to express gratitude to the audience for their appreciation, and they are also qualified. Accept the applause from the audience.
The Showa era was an era where men were superior to women. It was often heard that men would take action against their own daughters. Although the daughter wanted to resist, she gradually felt happy in the process of being violated, and love grew as a result.
The content of the series covers a wide range of topics, mainly the manifestations of Japanese sexuality in the Showa era, both inside and outside the family and in society. Some of the films cover the sexual behavior between fathers and children inside and outside the family, between neighbors, and various social immoralities. Sexual behavior involving r@pe, incest, etc.Ghost AV director Henry Tsukamoto’s work
“Showa” is the era name used by the 124th Emperor Hirohito of Japan. It is the 246th era name in Japan. It was used from December 25, 1926 to January 7, 1989. It is the time used in various era names in Japan. The longest, a total of 64 years.
The most instinctive retro erotic AV—Henry Tsukamoto FA series
Henry Tsukamoto, a name that contains the unique mark of AV in the Showa era, uses the extraordinary in the ordinary to capture the true meaning of life with his lens. His works do not deliberately pursue dramatic conflicts, but are like a national chronicle, true and profound. Each frame carries the memory of the times. It is still treasured in the hearts of movie fans and has become an eternal symbol of nostalgia in his heart.
Although he lived in a feudal and conservative era, Henry Tsukamoto used his unique perspective to reveal the reality and chaos behind the seemingly peaceful scenes. FAプロ’s professionalism is impressive. The actors’ acting skills are superb. Their confusion and helplessness in front of the camera are like instinctive performances, which are more touching than real life and impress the audience.
Henry Tsukamoto, the AV artist instructor, gives every work a soul. His AV videos are not won by handsome faces, but by the superb acting skills of the actors, rich and life-like plots, and the delicate depiction of the emotions between the characters. Their eyes meet, and emotions well up. What flows in the picture is not only sex, but also the reality and flesh and blood of life. Every scene makes people feel the warmth of humanity and the breath of life.
Henry Tsukamoto’s AV works are like a silent poem, telling extraordinary stories through ordinary lens language, allowing the audience to deeply feel the complex interweaving of the times and human nature while appreciating them. His name has become an indispensable part of Japanese film history and deserves our careful taste and respect.
Every frame of his works is the Showa world that he longs for | FAプロFAプロFa is a rare work in the 1980s and 1990s. See how the old man used the lens language of thirty years ago to amaze everyone. Every time I see this kind of work, I feel like It’s like opening a blind box, because you never know what magical scene will happen next second. From the early days of scarce video works to today’s electronic digital age, we take a peek at the old man’s half-life, talent, ability and fortune, and put all his efforts into cultivating the world of Showa movies that he desired. Now Tsukamoto has become a high mountain.
Director Tsukamoto’s serial number prefix and some brief introduction FAプロ are all ordinary and trivial matters. They rarely deliberately add drama for the beauty of film and television. Being close to life and reflecting the nation of the times are Henry Tsukamoto’s characteristics. The Showa era has become Tsukamoto’s heart. The nostalgia that can never be let go. It is clearly a feudal and conservative era, but the promiscuity behind the scenes is so unbearable. FAプロ (professional) is indeed professional, and the actors are second to none. In front of the camera, no matter how many eyes there are, the confused and helpless look, That instinctive expressiveness is more realistic than reality and has impressed countless viewers.
Henry Tsukamoto gave the film the soul. It’s not an exaggeration to call him an artist. None of the actors in Tsukamoto’s films are particularly beautiful, but the acting skills of the teachers are indeed superb. The plot is rich and close to life, and the joy, anger, sorrow and joy between the characters , love, hate, and resentment, are splashed in the picture through the eyes of the actors. More often, what Henry Tsukamoto shows is not sex, but life of flesh and blood.
The twisting dance in Henry Tsukamoto’s works has become a habit. Henry Tsukamoto’s twisting dance makes people feel itchy. A simple and strange rhythm, seen somewhere in his works, has become a habit. . The melody that melts the soul fills the ears and flows to the brain.
This set of “Henry’s Dance” is an element that Director Henry has been adhering to since the 1980s. Compared to AV works that involve stripping off your clothes as soon as you meet, director Henry pays more attention to completeness. He is good at shooting Showa style AV, and everything from the plot, casting to the moral entanglement of the characters in the play is delicate and meticulous. vividly depicted.
Director Henry loves to use family ethics as a theme. Perhaps “Henry’s Dance” is the attitude that Director Henry wants to convey: AV scenes are also stages, and AV actors and actresses are also actors. They have the responsibility to express gratitude to the audience for their appreciation, and they are also qualified. Accept the applause from the audience.
The Showa era was an era where men were superior to women. It was often heard that men would take action against their own daughters. Although the daughter wanted to resist, she gradually felt happy in the process of being violated, and love grew as a result.
The content of the series covers a wide range of topics, mainly the manifestations of Japanese sexuality in the Showa era, both inside and outside the family and in society. Some of the films cover the sexual behavior between fathers and children inside and outside the family, between neighbors, and various social immoralities. Sexual behavior involving r@pe, incest, etc.

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